双语新闻詹妮弗•劳伦斯新电影《无怨无悔》(3)

在珀西的情况下，问题在于他缩进了自己和一个在线世界，还有“直升机父母”想让他长大，同时又让他更难做到这一点。这是一种情感上的麻痹，让人想起了《毕业生》，虽然要明确的是，没有那么好。
对于玛蒂来说，生活就是一夜情和感觉不如别人，因为她从小就在玻璃后面看着另一边的特权阶层。
费尔德曼的年轻外表让他显得更加脆弱，玛蒂的任务也更加棘手。值得赞扬的是，劳伦斯（她还是制片人之一）大胆地投入到这个方面，包括一个夜间裸泳的场景——她试图说服不情愿、遵守规则的小伙子跟她下水——这突出了电影如何同时具有幽默、聪明（珀西引用了《大白鲨》的类比）和反映她身上的敌意。
这个片段概括了电影如何比人们期待的更高远，在当前的影院环境下，让《无怨无悔》对于一个电影公司的营销部门来说不是一个容易推销的东西。但是要赞扬劳伦斯找到了一个值得一看的角色，在这部电影中，无论是在影院还是更有可能的，在进入付费电视和流媒体的更友好的水域之后，都能给观众带来意想不到的回报。
《无怨无悔》于6月23日在美国影院首映。它的分级是R。
In Percy’s case, the issue involves having shrunken into himself and an online world, and “helicopter parents” that want him to grow up while simultaneously making it harder for him to actually do that. It’s a form of emotional paralysis reminiscent of “The Graduate,” though to be clear, not nearly that good.
For Maddie, life consists of one-night stands and feeling less-than due to the class distinction of growing up with her nose pressed up against the glass watching the privileged folk on the other side.
Feldman’s youthful appearance makes him seem even more vulnerable and the mercenary aspects of Maddie’s task feel dicier. To her credit, Lawrence (who doubles as a producer) lustily dives into that aspect, including a nighttime skinny-dipping scene – as she tries to coax the reluctant, rule-following lad into the water – that underscores how the movie manages to simultaneously be broadly funny, clever (Percy cites the parallels to “Jaws”) and indicative of the hostility that she carries around with her.