青艺周｜YOUNGtoyoung国际联合设计教育工作坊(46)

利波尔·塞缪尔 Samuel Lepoil
专注于沉式媒体创作的青年创意导演， 正就职于Tamanoir ImmersiveStudio。 在成立自己的戏剧公司并指导他的第一部戏剧作品“La Croisiere du Sang Bleu”时，他接触到了虚拟现实创作，并随即决定暂时搁置他在戏剧行业的未来职业规划，并进入 Sorbonne学习互动叙事，随后加入到 L"EcoledesGobelins中从事交互设计。 2016 年，他执导了他的第一部虚拟现实虚构叙事作品:“SavingTomas”，这部作品由 CNC 资助并最终被France Televisions 收购。在这之后，他作为合伙人，创办了 Tamanoir 工作室，致力于创造全新的虚拟现实体验，他的作品将这个新全新艺术形式与他所熟知的表演艺术结合起来。 2017年，他加入了“Mutation”从事叙事创作，“Mutation”是一个混合现实密室逃脱游戏，在整个作品中，包括虚拟现实部分和剧院部分总计有 20 多个演员。
2018 年，他创作了一个结合虚拟现实和动作捕捉表演的沉浸式装置:The Roaming，入选了威尼斯虚拟现实双年展。 2019 年，他为 Playmobil创作了 3 个虚拟现实体验作品后，直至今天他专注于在戏剧、城市探索和逃脱游戏这三个领域之间创作出新的叙事和沉浸式体验。
A young creative director specialized in immersive media. He currently works at Tamanoir Immersive Studio. After building his own theatre company and directing his first play, La Croisiere du Sang Bleu,Samuel came across virtual reality for the first time. Upon discovering VR, he decided to put aside momentarily his prospective career in theater to study interactive storytelling at the Sorbonne before specializing in interactive design at L’Ecoledes Gobelins. In 2016, he directed his first VR fictional story, Saving Tomas, funded by the CNC and bought by France Televisions. He went on to cofound Tamanoir Studio,where he dedicates himself to the creation of new VR experiences, which often combine these new forms of art with the performing arts world he never quite left. In 2017 he began by doing the narrative deisgn on Mutation, a mixed between escape game, VR and theatre with more than 20 actors. After that he designed in 2018 the interaction of The Roaming, an immersive installation that combines VR and motion capture acting and was selected for the Venice Virtual Reality Biennale. In 2019, Samuel completed the design of 3 VR experiences for Playmobil and is focused today on developing new narrative and immersive experiences between the fields of theatre, urban exploration and escapegames.