《女性心理的结构类型》——ToniWolff(14)

艺妓或同伴类型本能地与男性的个人心理有关, 如果她结婚了她也本能的与她子女的心理相关。她的个人兴趣、心理倾向以及可能还包括男性的问题, 都在她的意识视野范围之内并且由她激励和促进。她将传达给男人一种个人价值观，而不是集体价值观，因为她自身的发展要求她去体验和实现一种完整的个人关系。舒尔的“女性灵感”主要属于这种结构形式, 但她们是为数不多的例外, 正如具有创造性的人一样。布留尔的女妖类型, 是出现更频繁的一个相当接近的等价物, 但却没有充分考虑到所涉及的心理问题。艺妓类型的功能是唤醒男性个体的精神生活, 带领他超越男性的责任感, 形成一个完全的人格。通常这个发展过程是下半生的任务, 即在社会地位成功地建立之后。
The Hetaira thus affects the shadow side of the male and the subjective side of his Anima--a problem which is not without its danger. Consequently she ought to be, and at best is indeed, conscious of the laws of relationship. Her instinctive interest is directed towards the individual contents of a relationship in herself as well as in the man. For the man, a relationship in all its potentialities and nuances is usually less conscious and less important, for it distracts him from his tasks. For the Hetaira it is decisive. Everything else --social security, position, etc.--is unimportant. In this lies both the significance and the danger of the Hetaira. If she overlooks the Persona side of the man (or of her children) or adapts herself too blindly to it, she is bound to idolize the personal element, to incite it excessively and may bring the man to a point where he himself loses his clear vision of outer reality: he may, for instance, give up his profession to become a " creative artist"; he may divorce, feeling that the Hetaira understands him better than his wife, etc. She insists on an illusion or some nonsense and thus becomes a temptress; she is Circe instead of Calypso.